HELEN SWEETSTORY

a deconstructed multimedia art piece

“If you have told a child a thousand times and he still does not understand, then it is not the child who is the slow learner.”  Walter Barbee
— Walter Barbee
Love may be sanctified and ennobled by its commitment to the unconditional horizon of perfection, but what makes love real in the human world seems to be our moving, struggling conversation with that wanted horizon rather than any possibility of arrival. The hope for, or the declaration of a purely spiritual, unconditional love is more often a coded desire for immunity and safety, an attempt to forgo the trials of vulnerability, powerlessness and the exquisite pain to which we apprentice ourselves in a relationship, a marriage, in raising children, in a work we love and desire.

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The hope for unconditional love is the hope for a different life than the one we have been given. Love is the conversation between possible, searing disappointment and a profoundly imagined sense of arrival and fulfillment; how we shape that conversation is the touchstone of our ability to love in the real inhabited world. The true signature and perhaps even the miracle of human love is helplessness, and all the more miraculous because it is a helplessness which we wittingly or unwittingly choose; in our love of a child, a partner, a work, or a road we have to take against the odds.
— David Whyte on unconditional love
I think for so many people, you’re threading the needle between being true to yourself in the process, and not thinking about your audience in the creative process. But then at some point, there’s a reckoning when you release it to the wider world, and now all of a sudden you’re dealing with the interface of the thing that you created and the audience. I think about the inherent irony to what Thoreau was doing, where he was writing this total loner manifesto, Walden, and then he publishes it! It makes sense, in a larger way, in that he’s talking about this social contract that we need, that we are all interconnected, even if you are an artist and your manifesto is, “I don’t need people, and I’m gonna go live in the woods in this shack…but then, also, I’m gonna publish this book and I really hope people read it.” It’s this paradox that you have to reconcile.
— Phuc Thanh, interview with Viet Thanh Nguyen
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